The KFF COVID-19 Vaccine Monitor revealed that while 7 in 10 unvaccinated workers said they would leave their job if their employer asked them to get vaccinated, just 1 in 20 unvaccinated workers say they have actually done so, This means that many people who may previously have been vaccine-hesitant have faced additional pressures to receive the vaccine. About 1 in 4 workers say their employer required them to have a COVID-19 vaccination in October 2021, which, according to the KFF COVID-19 Vaccine Monitor, is an increase of 16% since June.Īgainst this political backdrop, the Food and Drug Administration (FDA) authorized vaccination for children aged 5-11 in October and booster shots for all adults in November. Whatever the motivation, the White House has continued to press ahead with increased mandates for vaccination in many settings.Īlthough the policies from the Biden Administration have experienced some setbacks, many businesses across the U.S. While the White House pointed to the increase in vaccine mandates for the boost in uptake, the September results from KFF COVID-19 Vaccine Monitor, a study about attitudes toward COVID-19 vaccines, considered the fear over the Delta variant to be behind the demand for the vaccine. Much of this uptake took place in areas that had previously had the lowest vaccination rates. It also bugged me that at the end of the film Roddy had become Rita’s first (only) mate i.e.Concerns raised in the early summer about the low number of people receiving a vaccination against COVID-19 were relieved in August 2021 when the White House claimed a 70% increase in the daily average of first dose vaccinations compared to the previous month. This may seem like nitpicking, but it bugged me that the way the female character helped the male character out was by being his chump whereas the male character helped her in return by an act of dashing noble chivalry. Roddy duly rescues her, in a heroic manly stunt that beats any of the grudging (or downright non-consensual) assistance that he ever weaselled out of her. On the other hand, Rita does find herself in need of rescuing and doesn’t have a lot of choice other than to wait for him to come to her aid – she is, of course, tied up by the Toad so she can’t escape. He needed her, but he got her help by using or manipulating her, rather than having to wait for her to rescue him. He was wimpy and clumsy and totally out of his depth, but he “saved himself” by clinging onto Rita, mainly against her will, and therefore imposing himself upon her rather than actually being rescued by her. Rita was certainly, as mentioned, resourceful and kick-ass, but she never actually saved or rescued Roddy. It was also nice that Rita and Roddy didn’t end up as boy- and girl-friend – it was hinted at the end that this might happen later, but there was mercifully no actual kissing, sighing, mooning, falling into each other’s arms or other annoying romantics. She however has other concerns, as she has stolen a ruby from The Toad, needing the money to help support her parents, her uncountable siblings and assorted other family members – and the henchrats are in hot pursuit.įeminist analysis: it was of course really great to see a strong, female lead. In the sewers, he discovers a rat city, complete with an evil toad supervillain. He meets resourceful, kick-ass rat pirate Rita (who has Kate Winslet’s voice), the only rat in the sewer who might be able to get him back home. When his family go away on holiday, an invading rat takes over the house and Roddy gets flushed down the toilet… Roddy is a spoiled only-rat who lives as a pampered pet in a gilt cage (literally) in Kensington. This is a CG animation by Aardman, which consequently has an actual story as well as some great lines, and plenty of toilet humour.
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